| The final tutti section of the work (from bar 71) recalls the descending scalic passage heard earlier. This time, however, the original quaver movement is replaced by dotted quaver/semiquaver figures and is more complex in nature. This leads to a triumphant chordal passage ending with an imperfect cadence in G major. |
 |
 |
 |
  |
 |
 |
Musical examples created on a
StrongArm RiscPC using Sibelius 7 Professional. |